Final Broadside

George MacDonald Fraser, the author of the Flashman books as well as many other works died this week at age 82. In one last piece, published posthumously in the Daily Mail, he blasts political correctness. In the Nineties, a change began to take place. Reviewers and interviewers started describing Flashman (and me) as politically incorrect, which we are, though by no means in the same way.

In the Nineties, a change began to take place. Reviewers and interviewers started describing Flashman (and me) as politically incorrect, which we are, though by no means in the same way.

This is fine by me. Flashman is my bread and butter, and if he wasn't an elitist, racist, sexist swine, I'd be selling bootlaces at street corners instead of being a successful popular writer.

But what I notice with amusement is that many commentators now draw attention to Flashy's (and my) political incorrectness in order to make a point of distancing themselves from it.

It's not that they dislike the books. But where once the non-PC thing could pass unremarked, they now feel they must warn readers that some may find Flashman offensive, and that his views are certainly not those of the interviewer or reviewer, God forbid.

I find the disclaimers alarming. They are almost a knee-jerk reaction and often rather a nervous one, as if the writer were saying: "Look, I'm not a racist or sexist. I hold the right views and I'm in line with modern enlightened thought, honestly."

They won't risk saying anything to which the PC lobby could take exception. And it is this that alarms me – the fear evident in so many sincere and honest folk of being thought out of step.

I first came across this in the United States, where the cancer has gone much deeper. As a screenwriter [at which Fraser was almost as successful as he was with the 12 Flashman novels; his best-known work was scripting the Three Musketeers films] I once put forward a script for a film called The Lone Ranger, in which I used a piece of Western history which had never been shown on screen and was as spectacular as it was shocking – and true.

The whisky traders of the American plains used to build little stockades, from which they passed out their ghastly rot-gut liquor through a small hatch to the Indians, who paid by shoving furs back though the hatch.

The result was that frenzied, drunken Indians who had run out of furs were besieging the stockade, while the traders sat snug inside and did not emerge until the Indians had either gone away or passed out.

Political correctness stormed onto the scene, red in tooth and claw. The word came down from on high that the scene would offend "Native Americans".

Their ancestors may have got pieeyed on moonshine but they didn't want to know it, and it must not be shown on screen. Damn history. Let's pretend it didn't happen because we don't like the look of it.

I think little of people who will deny their history because it doesn't present the picture they would like.

I read the original Flashman book but none of the rest of the series. Flashman could be characterized as one of the least politically correct fictional figures ever. Fraser was a hugely talented writer who also co-wrote the screenplays of a number of movies, including the fabulous The Three Musketeers and The Four Musketeers. His final broadside is worth reading in its entirety. His scathing attack on the PC brigades is a true work of art.

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2 Responses to Final Broadside

  1. Lars Walker says:

    I”ve always considered the Flashman books sort of a guilty pleasure, but the more I read about Frasier himself, the less guilty it is. (My guilt, by the way, arose not from the un-PC-ness of the books, but from my puritanism). I don’t like Flashman, and I think I’m not intended to. He is not only a great coward and hypocrite–he’s one of the great sufferers of literature, dying ‘a thousand deaths” again and again. I enjoy watching him squirm, because he deserves it so.

  2. Pingback: The View From The Foothills » George Macdonald Fraser, RIP

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